top of page

Notes From An Acting For The Camera Master Class

These notes are from a master class I took with Adam Bernstein at Williamstown Theatre Festival that was geared towards teaching theatre dominant actors how to act on camera.

  • First and foremost, acting for TV is very different from acting for theatre

  • Unlike theatre, where you typically rehearse for weeks or even months, sometimes you may rehearse a scene for as little as 5-10 minutes before it's shot

  • TV directors don't always necessarily know or care about acting

  • The take doesn't have to be perfect the first time since you have multiple takes to get it right

  • DO A LOT LESS! Don't have to worry about projecting so much. In theatre you can't really get away with more subtle gestures the way you can in film. It's okay to do very little on camera

  • Screen acting is also photography

  • You need to embrace the technical realities of filmmaking to understand how it works

  • The reality of film is that often times the creative team has a very specific idea of what a character loos like

  • Often times directors will have a line reader at auditions who is NOT an actor

  • Dress for the part and adapt to the character you're auditioning for. I had a successful experience of implementing this technique when I auditioned for an MFA Thesis film at Emerson called Hyphen, which I ended up booking! I was auditioning for the role of "Metalhead," and I went all out with my audition outfit. I wore tons of jewelry, black eyeliner, a band t shirt, black jeans, converse, etc. I went all out with dressing the part, and low and behold it worked!!

  • Most TV/film auditions (not necessarily always true of theatre, although this is rapidly changing in the industry, particularly in times like these) are now electronic

Featured Posts
Check back soon
Once posts are published, you’ll see them here.
Recent Posts
Search By Tags
Follow Us
  • Facebook Basic Square
  • Twitter Basic Square
  • Google+ Basic Square
bottom of page